Three Art Style Research
「Art Deco」是什麼？裝飾藝術風格的全面解析 – dans le gris
Lady with Panther, created by George Barbier for Cartier in 1914
Lady with Panther is a famous work by French artist George Barbier, created for the presentation card of Cartier's new jewelry collection. Like so many of Barbier's works, this artwork displays the elegance and sophistication unique to the Art Deco style. You can see Barbier's signature style in this particular piece, including charming figures, sophisticated costumes and a sense of luxury. It shows a lady in a long dress and strings of pearls, with a panther resting at her feet. It is said to have been made by Barbier's friend Jeanne Toussaint as a model. The overall composition evokes a sense of exoticism and boldness, both of which were very popular during the Art Deco era.
The Chrysler Building is considered a classic example of Art Deco architecture and has been selected by many contemporary architects as one of the best buildings in New York City. In 2007, the American Institute of Architects ranked the Chrysler Building ninth on its List of America's Favorite Buildings. [11] From the 1930s to the 1950s, the building was the headquarters of the Chrysler Corporation. Although the building was originally designed for the automobile company, Chrysler did not pay for its construction and never owned the building, because Walter Chrysler personally paid for its construction so that future generations could inherit it.
Paul Poiret was a prominent French fashion designer of the early 20th century.
While the stylish features of Art Deco may not be considered particularly groundbreaking or innovative designs in contemporary times, in their heyday, these design elements represented a major breakthrough that drew both praise and criticism. For example, Georges Goursat, a famous French satirist painter, was an outspoken critic. His satirical views take aim at the controversies surrounding Art Deco fashion, in particular the style of Paul Poiret. Gusart scoffed at the exotic style and luxurious fashion that characterized bold design. Instead, he promoted a minimalist visual philosophy, favoring slim shapes, plain fabrics, and light colors. This aesthetic, known as the "garconne," "flapper," or "New Woman" of the Art Deco era, was a response to flamboyant trends that evoked both praise and revulsion.
French artists Georges Seurat and Paul Signac were pioneers of Pointillism, advocating the use of dots or blocks of solid color to achieve better light and color effects on the canvas, and opposed the mixing of colors on the paint plate. According to the principle of optics, a large number of dots of pure color are densely arranged on the white canvas, and the resulting visual color mixture will form a detailed, three-dimensional image.
This technique is still widely used in a variety of mediums, including fashion, art, and tattooing. Contemporary pointillism artists include Miami-based artist Miguel Endara (whose Hero is 3.2 million hand-drawn dots with a pen), Japanese pop artist Yayoi Kusama (known as the Queen of Dots), and watercolorist Ana Enshina, author of Lots of Dots: Beautiful Art that Starts with a Dot.
File: Master of the Boston City of God - Book of Hours (Use of Utrecht)- fol. 63r, Initial with Holy Trinity - 1998.124.63.a - Cleveland Museum of Art.tif
Art historians classify illuminated manuscripts into their historic periods and types, including (but not limited to) Late Antique, Insular, Carolingian, Ottonian, Romanesque, Gothic, and Renaissance manuscripts. There are a few examples from later periods. Books that are heavily and richly illuminated are sometimes known as "display books" in church contexts, or "luxury manuscripts", especially if secular works. In the first millennium, these were most likely to be Gospel Books, such as the Lindisfarne Gospels and the Book of Kells. The Book of Kells is the most widely recognized illuminated manuscript in the Anglosphere, and is famous for its insular designs.[9] The Romanesque and Gothic periods saw the creation of many large illuminated complete bibles. The largest surviving example of these is The Codex Gigas in Sweden; it is so massive that it takes three librarians to lift it.
The origins of the pictorial tradition of Arabic illustrated manuscripts are uncertain. The first known decorated manuscripts are some Qur'ans from the 9th century. They were not illustrated but were "illuminated" with decorations of the frontispieces or headings. The tradition of illustrated manuscripts started with the Graeco-Arabic translation movement and the creation of scientific and technical treatises often based on Greek scientific knowledge, such as the Arabic versions of The Book of Fixed Stars (965 CE), De Materia medica or Book of the Ten Treatises of the Eye. The translators were most often Arab Syriac Christians, such as Hunayn ibn Ishaq or Yahya ibn Adi, and their work is known to have been sponsored by local rulers, such as the Artuqids.
Comments
Post a Comment